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The Hausplants Are ‘Rendering Me’ Speechless
Music See You Next Tuesday Team 2026-05-21 Music See You Next Tuesday Team 2026-05-21

The Hausplants Are ‘Rendering Me’ Speechless

The Hausplants release their new single, “Render Me”

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The Maine Keeps the Dance Floor Alive
Music, Life & Culture Emi Grant 2026-05-19 Music, Life & Culture Emi Grant 2026-05-19

The Maine Keeps the Dance Floor Alive

Emi Grants reviews The Maine concert

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Anyways, Wild Rivers at Massey Hall
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Anyways, Wild Rivers at Massey Hall

A review of Wild Rivers at Massey Hall.

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Control Room Turns “Pretty Privilege” Into a Club-Ready track with “NO ID”
Music See You Next Tuesday Team 2026-05-13 Music See You Next Tuesday Team 2026-05-13

Control Room Turns “Pretty Privilege” Into a Club-Ready track with “NO ID”

Designed with the late-night crowd in mind, Control Room created “NO ID” as a track built around nightlife culture and atmosphere.

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Ten Artists We’re Excited To See at NXNE 2026
Music See You Next Tuesday Team 2026-05-12 Music See You Next Tuesday Team 2026-05-12

Ten Artists We’re Excited To See at NXNE 2026

A shortlist of some of the acts we’re most excited to see at NXNE ⋆⭒˚。⋆

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ALANI Bends the Forecast with new single “April Showers”
Music Emily Flamini 2026-05-11 Music Emily Flamini 2026-05-11

ALANI Bends the Forecast with new single “April Showers”

ALANI releases her new song, “April Showers”

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“Black Trashbag Magic” at NYC Fringe: Alina Burke on Memory, Queer Adolescence, and Turning Trauma into Theatre
Life & Culture Emi Grant 2026-04-19 Life & Culture Emi Grant 2026-04-19

“Black Trashbag Magic” at NYC Fringe: Alina Burke on Memory, Queer Adolescence, and Turning Trauma into Theatre

Playwright Alina Burke’s Black Trashbag Magic transforms queer adolescence into a haunting, emotionally charged stage experience.

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Who Is Watching Whom? Inside Issy Knowles’ Confrontational Solo Show, Body Count
Life & Culture Emi Grant 2026-03-27 Life & Culture Emi Grant 2026-03-27

Who Is Watching Whom? Inside Issy Knowles’ Confrontational Solo Show, Body Count

Under the hot lights, Pollie does not arrive so much as she is presented: assembled in parts, exaggerated, impossible to ignore. The audience shifts as Issy Knowles turns, offering not just a body but a question: what, exactly, have you come here to see?

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